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本書以十九世紀晚期英國文學作品及其中譯本為研究對象, 辨析文本與文化的(不)可譯性。 所謂翻譯,就是把以一種文字寫成的文本以另一種文字解讀和詮釋,其定義往往離不開上述局限於語文層面上的二元解讀。《文化翻譯:十九世紀末英國文學的中譯》一書的主旨,乃是從上述架構以外的文化角度,探討文化此一概念對翻譯和一個文本的「可譯性」所帶來的影響。透過集中研讀十九世紀末英國的文學作品和其中譯本,並依據不同主題和體裁將之歸類,本書指出了文化與翻譯活動的因果關係,比一般想像來得緊密、細膩,並藉著以上的分析,進一步探討翻譯和文化之間的關係之餘,闡釋翻譯研究對文化研究所可以帶來的啟思。 The idea of translation is traditionally understood as a binary phenomenon—a process which re-interprets and re-presents an original text in one language for a different audience in another language. The aim of Translating Culture: Late-Victorian Literature into Chinese is to look at how the notion of culture convolutes this predominantly language-based practice and considers its implication on a text’s “untranslatability.” By focusing on literature of the late-Victorian period, grouping them into different themes and genres, and considering the way these texts have been translated into Chinese, an argument will be made that the idea of culture and the practice of translation are much more closely correlated than has been commonly assumed. In doing so, this book contributes to recent scholarship on translatology and cultural studies by examining the exactitude to which the process of translation must account for the concept of culture, as well as with how the former could help enhance our understanding of the latter. 名家推薦 “Addressing the important issue of culture translation with ample examples culled from prominent Victorian writers and representative Chinese translations, this is a timely and significant contribution to the burgeoning field of translation studies. Sensitive, insightful, and lucidly written, the book is a joy to read.”――Ching-Hsi Perng, Professor Emeritus, National Taiwan University “Moving beyond the conventional cataloging of source-target textual divergences, this study takes a refreshing look at how literature can cross cultural barriers as vast as those separating the late-Victorian period from contemporary China. Isaac Yue demonstrates with flair how translation is itself a form of reception, rather than ancillary to it.”――Leo Tak-hung Chan, Professor of Translation, Lingnan University “Translating Culture is refreshingly original and rich exploration of the complexities of thinking about linguistic and cultural translation, from English to Chinese. Focusing on literature from the dynamic and swiftly changing late-Victorian period, the book focuses on eight case studies whose rich use of language and imagery provide unique challenges for thinking about a range of fascinating topics. How, for example, do concepts like the ‘new woman’ or ‘empire’ translate across cultures? Yue’s study will be essential reading for all those interested in the Victorian fin-de-siècle and global issues.”――Mark Turner, Professor of English, King’s College London
Acknowledgement Introduction 1 Metaphors and the Discourse of the Late-Victorian Divided Self: the Cultural Implications of Strange Case of Dr Jekyll and Mr Hyde 2 The Case of Raffles and the Translational Depreciation of Detective Fiction 3 The New Woman Novels and their Translations (or Lack Thereof) 4 Style Matters! Re-evaluating the Chinese Translations of Joseph Conrad’s Heart of Darkness 5 Dandyism and Witticism: The Importance of Being Oscar Wilde in the Context of Translation 6 Anti-Imperialism in Translation and H. G. Wells’s The Island of Doctor Moreau 7 Kim: A Case Study in Translation Regarding the Hybridity of Rudyard Kipling’s Imperialism 8 On Translating William Butler Yeats and the Decadence of Symbolism Afterword Notes Bibliography Index
作者簡介 余文章 現為香港大學中文學院助理教授兼文學院副院長,並為《文學論衡》和《東方文化》的編委會成員。曾任英國倫敦大學訪問學人、臺灣大學訪問學人和史丹佛大學訪問學人,研究重心為翻譯研究、文化身分、東西文化交流(以十九世紀為主)、古典小說以及中華飲食文化與文學。 Isaac Yue is Assistant Professor of Chinese and Associate Dean of Arts at the University of Hong Kong, which he joined in 2007. He is an editorial member of The Journal of Chinese Literary Studies and Journal of Oriental Studies and in the past has held visiting positions at the University of London, National Taiwan University, and Stanford University. His research interests are translation studies, cultural identity, Sino-West relationship with a special focus on the nineteenth century, classical Chinese novels, and Chinese food literature and culture.
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