【代購】芬蘭精通電子音樂與古典大提琴的音樂鬼才~馬克斯·利亞 / 巴哈無伴奏大提琴組曲電子改編版

這是芬蘭鬼才Max Lilja改編巴哈六首大提琴無伴奏為電子大提琴演奏的夢幻發行.融合新潮與傳統,賦予了巴哈無伴奏的全新生命,非常值得一聽的巴哈大提琴無伴奏專輯!
 
Finnish cellist Max Lilja, one of the founders of Apocalyptica, takes us on an immersive journey across Johann Sebastian Bach’s life; through merging the iconic Cello Suites with an ambient composition, Lilja enlightens the space around the solitary voice.
 
To emphasise the continuous transcendence of a life, Lilja builds a solid sense of identity for each suite. The cello is embraced by the sonic world like an individual by the universe. Lilja’s playing has influences from the span of 300 years of existence of the suites, evolving from the simplicity of the 1st suite to almost Romantic in the 6th. His interpretation is inspired by Bach’s rhythmical ideas that expand suite by suite and, as life throughout the years, become more complex and multilayered.
 
After years of pioneering cello artistry in rock and electronic music, as well as composing for various projects, Lilja returns to his classical roots. With Six Shades of Bach, he presents a first of a kind crossover work, contributing to dialogues about the cello suites and survival of classical music.’
 
曲目:
Suite 1, Köthen (After J.S. Bach’s BWV 1007)
1) I. Prélude 2:40
2) II. Allemande 1:44
3) III. Courante 1:13
4) IV. Sarabande 1:15
5) V. Minuet I/II 1:36
6) VI. Gigue 1:10
Suite 2, Maria (After J.S. Bach’s BWV 1008)
7) I. Prelude 4:21
8) II. Allemande 1:41
9) III. Courante 1:23
10) IV. Sarabande 2:36
11) V. Minuet I/II 1:08
12) VI. Gigue 1:52
Suite 3, Anna Magdalena (After J.S. Bach’s BWV 1009)
13) I. Prélude 2:46
14) II. Allemande 1:45
15) III. Courante 1:31
16) IV. Sarabande 2:03
17) V. Bourrée I/II 1:42
18) VI. Gigue 1:44
Suite 4, Leipzig (After J.S. Bach's BWV 1010)
19) I. Prélude 4:49
20) II. Allemande 2:12
21) III. Courante 1:54
22) IV. Sarabande 1:55
23) V. Bourrée I/II 2:36
24) VI. Gigue 1:58
Suite 5, Death (After J.S. Bach's BWV 1011)
25) I. Prélude 6:12
26) II. Allemande 2:49
27) III. Courante 1:28
28) IV. Sarabande 1:34
29) V. Gavotte I/II 1:59
30) VI. Gigue 2:09
Suite 6, Eternity (After J.S. Bach's BWV 1012)
31) I. Prélude 4:18
32) II. Allemande 3:02
33) III. Courante 1:42
34) IV. Sarabande 2:10
35) V. Gavotte I/II 2:00
36) VI. Gigue 2:15