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Here is a collection of fifteen papers bearing on some interesting issues or problems that a modern literary scholar may have often thought of. In this book, you will find critical, and often original, ideas about such things as modernism, postmodernism, wit, imagination, literariness, originality, and genre classification. You can consider, along with the author, such topics as the intentional fallacy, the circle of textualization, the linguistic spaces of poetry, the method of comparative literature, the death of the author, the concepts of work, text, and discourse, the reconciliation of mimetic and expressive theories, and the analogy between biotechnology and creative writing. These traces in the wake of literary theory can be very awakening and rewarding.
作者簡介
Alexander C. H. Tung is currently a professor of English at National Chung Hsing University and Chung Shan Medical University in Taichung, Taiwan. He is also the establisher and maintainer of the much-visited DGD English-Learning Website (dgdel.nchu.edu.tw). He has published quite a number of academic and creative works in English or in Chinese.
Preface iOn “Modernism” as a Literary Term 1The Value of Genre Classification 19On the Originality of Literary Works 29The Magic Mirror with a Magic Lamp: Towards a Reconciliation of Mimetic and Expressive Theories of Literature 41When Comparative Literature Ceases to Compare 55The Nature and the Locus of “Literariness” 71The Dichotomy of Imagination 85“The Intentional Fallacy” Reconsidered 93The Circle of Textualization 109The Four Linguistic Spaces of Poetry 143Ⅰ. Poetry and Verbalization 143Ⅱ. The Art of Poetry 145Ⅲ. The Four Linguistic Spaces 147Ⅳ. Linguistics and Poetics 156Work, Text, Discourse: Literary Problems, Old and New 161Is the Author “Dead” Already? 177Ⅰ. The Rhetorical Nature of Theory and Criticism 177Ⅱ. The Historical Statuses of the Author in the West 178Ⅲ. The Author Facing Our Contemporary Theories 184Ⅵ. Is the Author “Dead” Already? 189>From Romantic Movement to Postmodern Style: A Reflection on Our Fin-de-Si?cle Art of Literature 193I. A Dualistic History 193II. The Classic/Romantic Contrast 194III. The Modernist /Postmodernist Dichotomy 197IV. From Romantic Movement to Postmodern Style 200V. The Fin-de-Si?cle Reflection 204VI. The End 222The Augustan “Wit” Re-examined 231Biotechnology and Creative Writing 249Life Science 249Organic Form 250The Text 251The Code 255The System 257The End 258
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