中華美學精神的當代傳承

第一章 中華美學精神的含義與淵源 ························ 1
一、中國文化想像：他者與自我之間·························· 1
二、中華美學精神與 文化戰略····························· 9
三、從中國藝術精神看中華美學精神························· 15
四、在中華美學精神與中國藝術精神的交接處············· 22
五、中華美學精神的當代傳承及其意義······················ 24

第二章 中華美學精神與中國藝術精神的多元性
及現代轉化 ············································28
一、中華美學精神與中國藝術精神的多元性和當代性····· 28
二、中國傳統文化資源的現代轉化···························· 33
三、紅色經典與紅色文化資源的現代轉化··················· 41

第三章 中西美學的交互影響 ································48
一、西方美學的早期傳播········································ 49
二、王國維對中國美學的發現·································· 66
三、 宗白華借助西方生命哲學對中國美學生命精神的
揭示···························································· 78
四、葉朗對中國美學意象本體論的建構······················ 99
五、西方現代美學對中國美學的借用······················· 106
六、西方當代美學與中國古典美學的相遇················· 110

第四章 中華藝術經典的海外傳播 ·························125
一、《紅樓夢》在海外的翻譯和傳播························· 126
二、“梁祝”母題的海外傳播和跨文化傳播················ 136
三、《茉莉花》的流傳形式與海外傳播······················ 149

第五章 當代文學中的中華美學精神 ······················162
一、以“天人合一”追求人文精神的 境界············ 163
二、以精神獨立而獲個體生命自由··························· 169
三、以和諧辯證法給予生命 關懷························ 174
四、經世濟民的擔當之美與現實生活的美學批判·········180

第六章 當代電影中的中華美學精神 ······················188
一、形與神：以形寫神·········································· 188
二、隱與秀：隱在秀中·········································· 193
三、情與景：情景交融·········································· 199
四、虛與實：虛實相生·········································· 203
五、氣與韻：氣韻生動········································· 208
六、儒與道：儒道合流·········································· 212

第七章 當代美術中的中華美學精神 ······················216
一、 化語境下的中國當代美術與傳統·················· 216
二、中國當代美術對傳統美術的承繼與發展··············· 218

第八章 當代音樂中的中華美學精神 ······················243
一、先鋒音樂的幽遠迴響······································· 246
二、新詩雅韻的中國歌唱······································· 255
三、中國樂派的美學精神······································· 260

第九章 當代創意設計中的中華美學精神 ················ 265
一、中國當代設計的美學溯源································· 268
二、創意設計與商品價值······································· 276
三、中國當代設計的創意之路································· 285

第十章 互聯網時代中華美學精神傳播的機遇與挑戰 ··· 298
一、中華美學精神的主要載體是中國藝術·················· 299
二、互聯網時代傳播的基本特徵······························ 300
三、技術演進對藝術生產方式的影響························ 302
四、中華美學精神在互聯網時代傳播的機遇··············· 305
五、中華美學精神在互聯網時代傳播的挑戰··············· 306
六、中華美學精神在互聯網時代傳播的對策··············· 308

後　記 ····························································· 310

王一川

北京師範大學教授，博士生導師。2005年度長江學者獎勵計畫特聘教授。中國文藝評論家協會副，中華美學學會副會長，中國文藝理論學會副會長。主要研究藝術理論、文藝理論、美學、影視批評等。著有《意義的瞬間生成》、《語言烏托邦》、《修辭論美學》、《中國現代性體驗的發生》、《中國現代學引論》、《文學理論》、《第二重文本》、《藝術公賞力》等。