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Preface/Chi-Ming Lin and the Scientific Committee of AICA Taiwan Contributors Forking Democracy/Audrey Tang The Matrix of Visibility and Legitimacy: Art and Democracy in the Age of Digital Participation/Nikos Papastergiadis Seventy Years of AICA, Reflected Through the PRISME Research Project:Some Preliminary Findings from the Archives in Rennes/Henry Meyric Hughes The Poetics and Politics of Shane Cullen’s ‘The Agreement’/Liam Kelly Trajective Art Criticism: Boats (Trains, Planes) and Home in the Era of Retreat from Democracy/Richard Read The Illusion of Art Without Mediation: Challenging the Challenged Democracy/Rui Gonçalves Cepeda On “Art Criticism in the Age of Virtuality”/Lisbeth Bonde Turbulence: How Can Creativity and Art Criticism Respond to Unsettling Times in the Age of Virtuality?/Natalie King The Post-Internet Way of Art Criticism/Ewa Wójtowicz Aesthetic of Protest: The Colorful Revolution/Jovanka Popova and Mira Gacina A Field of Non-Field/Chieh-Jen Chen Notes on the Causes/Chieh-Jen Chen and Chien-Hung Huang Truth or Post-Truth?/Rahma Khazam A Brave New Virtual World?/Elisa Rusca The Image War of Chiang Kai-shek’s Statues: The State of Exception in the Process of Promoting Transitional Justice in Taiwan/Kang-Jung Chan No More Professional Writers in the Future?/Agnieszka Sural Unlimited Uncertainty: A Critical Narrative of Art Self-Powered by the Virtual/Lisa Paul Streitfeld Politics of Performance Art Before and After 1989/Małgorzata Kaźmierczak Art as Events with the Virtual: Rethinking about the Democracy and Bureaucracy/Raylin Tsai The Post-Enlightenment Fallacy: Political Art and the Fate of Aesthetics/Joe Nolan Within Digital Culture: The Hyperimage Perspective on Art and Criticism/Alfredo Cramerotti Total Control and Censorship: Towards a New Humanity?/Bernhard Serexhe Eco-Democracy and the Romanian Contemporary Public Art/Marilena Preda Sanc To the Moon/Laurie Anderson and Hsin-Chien Huang On “Art Discourse Facing Challenged Democracy”/Bélgica Rodríguez Exploring Robots/robotlab AICA-USA Online: Being Effective, Virtual, and Real in the Twenty-First Century/Judith E. Stein and Jamie Keesling Hyperallergic: A Model for Art Criticism and Cultural in the Digital Age/Holly Crawford An Eco-System of Criticism-Activism to Empower “Overcoming the Past”-Film Discourse and 〈NN 15〉 Community Project of Taiwan’s White Terror Memory/Yu-Juin Wang Xiao Lu’s Dialogue/Damian Smith Arctic Environmental Challenges through Virtuality/Jean Bundy Contemporary Art, Democratization and Social Change:Politics of Art in Postcolonial Buddhist Sri Lanka/Sabine Grosser A Theater - in Absence/Felix Ho Yuen Chan In Search of a Critical Conscience/Ernesto Muñoz
作者簡介 AICA中華民國藝評人協會 The International Association of Art Critics (AICA) was founded in 1950 and was admitted in 1951 to the rank of NGO. AICA comprises various experts anxious to develop international cooperation in the fields of artistic creation, dissemination and cultural development. AICA brings together around 5,000 art professionals from 95 countries all over the world, organised into 63 National Sections and an Open Section. The most recent Annual International Congresses to be organised by AICA have held in Poland (2013), Seoul, South Korea (2014), London, England (2015), Havana, Cuba (2016), and Paris, France (2017). The members of AICA includes art critics, art historians and art educators, as well as curators from museums of modern art. Their aim is to compare their point of views concerning the vocation of art criticism, to analyse their responsibility in regard to artists and public, and to outline the particular nature of their contributions in relation to developments in the fields of art history.
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